Famous painting
ANTONIO
Farewell: I'll grow a talker for this gear.
GRATIANO
Thanks, i' faith, for silence is only commendableIn a neat's tongue dried and a maid not vendible.
[Exeunt GRATIANO and LORENZO]
ANTONIO
Is that any thing now?
BASSANIO
Gratiano speaks an infinite deal of nothing, morethan any man in all Venice. His reasons are as twograins of wheat hid in two bushels of chaff: youshall seek all day ere you find them, and when youhave them, they are not worth the search.
ANTONIO
Well, tell me now what lady is the sameTo whom you swore a secret pilgrimage,That you to-day promised to tell me of?
BASSANIO
'Tis not unknown to you, Antonio,How much I have disabled mine estate,By something showing a more swelling portThan my faint means would grant continuance:
Monday, June 9, 2008
Heade A Magnolia on Red Velvet painting
Heade A Magnolia on Red Velvet painting
Heade Cattelya Orchid and Three Brazilian Hummingbirds painting
Vernet The Lion Hunt painting
Godward Under the Blossom that Hangs on the Bough painting
My wind cooling my brothWould blow me to an ague, when I thoughtWhat harm a wind too great at sea might do.I should not see the sandy hour-glass run,But I should think of shallows and of flats,And see my wealthy Andrew dock'd in sand,Vailing her high-top lower than her ribsTo kiss her burial. Should I go to churchAnd see the holy edifice of stone,And not bethink me straight of dangerous rocks,Which touching but my gentle vessel's side,Would scatter all her spices on the stream,Enrobe the roaring waters with my silks,And, in a word, but even now worth this,And now worth nothing? Shall I have the thoughtTo think on this, and shall I lack the thoughtThat such a thing bechanced would make me sad?But tell not me; I know, AntonioIs sad to think upon his merchandise.
ANTONIO
Believe me, no: I thank my fortune for it,My ventures are not in one bottom trusted,Nor to one place; nor is my whole estateUpon the fortune of this present year:Therefore my merchandise makes me not sad.
SALARINO
Why, then you are in love.
ANTONIO
Fie, fie!
SALARINO
Not in love neither? Then let us say you are sad,Because you are not merry: and 'twere as easyFor you to laugh and leap and say you are merry,Because you are not sad. Now, by two-headed Janus,Nature hath framed strange fellows in her time:Some that will evermore peep through their eyesAnd laugh like parrots at a bag-piper,And other of such vinegar aspectThat they'll not show their teeth in way of smile,Though Nestor swear the jest be laughable.
[Enter BASSANIO, LORENZO, and GRATIANO]
Heade Cattelya Orchid and Three Brazilian Hummingbirds painting
Vernet The Lion Hunt painting
Godward Under the Blossom that Hangs on the Bough painting
My wind cooling my brothWould blow me to an ague, when I thoughtWhat harm a wind too great at sea might do.I should not see the sandy hour-glass run,But I should think of shallows and of flats,And see my wealthy Andrew dock'd in sand,Vailing her high-top lower than her ribsTo kiss her burial. Should I go to churchAnd see the holy edifice of stone,And not bethink me straight of dangerous rocks,Which touching but my gentle vessel's side,Would scatter all her spices on the stream,Enrobe the roaring waters with my silks,And, in a word, but even now worth this,And now worth nothing? Shall I have the thoughtTo think on this, and shall I lack the thoughtThat such a thing bechanced would make me sad?But tell not me; I know, AntonioIs sad to think upon his merchandise.
ANTONIO
Believe me, no: I thank my fortune for it,My ventures are not in one bottom trusted,Nor to one place; nor is my whole estateUpon the fortune of this present year:Therefore my merchandise makes me not sad.
SALARINO
Why, then you are in love.
ANTONIO
Fie, fie!
SALARINO
Not in love neither? Then let us say you are sad,Because you are not merry: and 'twere as easyFor you to laugh and leap and say you are merry,Because you are not sad. Now, by two-headed Janus,Nature hath framed strange fellows in her time:Some that will evermore peep through their eyesAnd laugh like parrots at a bag-piper,And other of such vinegar aspectThat they'll not show their teeth in way of smile,Though Nestor swear the jest be laughable.
[Enter BASSANIO, LORENZO, and GRATIANO]
Carl Fredrik Aagard paintings
Carl Fredrik Aagard paintings
Caravaggio paintings
Claude Lorrain paintings
Claude Monet paintings
In sooth, I know not why I am so sad:It wearies me; you say it wearies you;But how I caught it, found it, or came by it,What stuff 'tis made of, whereof it is born,I am to learn;And such a want-wit sadness makes of me,That I have much ado to know myself.
SALARINO
Your mind is tossing on the ocean;There, where your argosies with portly sail,Like signiors and rich burghers on the flood,Or, as it were, the pageants of the sea,Do overpeer the petty traffickers,That curtsy to them, do them reverence,As they fly by them with their woven wings.
SALANIO
Believe me, sir, had I such venture forth,The better part of my affections wouldBe with my hopes abroad. I should be stillPlucking the grass, to know where sits the wind,Peering in maps for ports and piers and roads;And every object that might make me fearMisfortune to my ventures, out of doubtWould make me sad.
Caravaggio paintings
Claude Lorrain paintings
Claude Monet paintings
In sooth, I know not why I am so sad:It wearies me; you say it wearies you;But how I caught it, found it, or came by it,What stuff 'tis made of, whereof it is born,I am to learn;And such a want-wit sadness makes of me,That I have much ado to know myself.
SALARINO
Your mind is tossing on the ocean;There, where your argosies with portly sail,Like signiors and rich burghers on the flood,Or, as it were, the pageants of the sea,Do overpeer the petty traffickers,That curtsy to them, do them reverence,As they fly by them with their woven wings.
SALANIO
Believe me, sir, had I such venture forth,The better part of my affections wouldBe with my hopes abroad. I should be stillPlucking the grass, to know where sits the wind,Peering in maps for ports and piers and roads;And every object that might make me fearMisfortune to my ventures, out of doubtWould make me sad.
Friday, June 6, 2008
Igor V.Babailov paintings
Igor V.Babailov paintings
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
She must feel very lonely without her son," said Edna, desiring to change the subject. "Her favorite son, too. It must have been quite hard to let him go."
Mademoiselle laughed maliciously.
"Her favorite son! Oh, dear! Who could have been imposing such a tale upon you? Aline Lebrun lives for Victor, and for Victor alone. She has spoiled him into the worthless creature he is. She worships him and the ground he walks on. Robert is very well in a way, to give up all the money he can earn to the family, and keep the barest pittance for himself. Favorite son, indeed! I miss the poor fellow myself, my dear. I liked to see him and to hear him about the place the only Lebrun who is worth a pinch of salt. He comes to see me often in the city. I like to play to him. That Victor! hanging would be too good for him. It's a wonder Robert hasn't beaten him to death long ago."
"I thought he had great patience with his brother," offered Edna, glad to be
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
She must feel very lonely without her son," said Edna, desiring to change the subject. "Her favorite son, too. It must have been quite hard to let him go."
Mademoiselle laughed maliciously.
"Her favorite son! Oh, dear! Who could have been imposing such a tale upon you? Aline Lebrun lives for Victor, and for Victor alone. She has spoiled him into the worthless creature he is. She worships him and the ground he walks on. Robert is very well in a way, to give up all the money he can earn to the family, and keep the barest pittance for himself. Favorite son, indeed! I miss the poor fellow myself, my dear. I liked to see him and to hear him about the place the only Lebrun who is worth a pinch of salt. He comes to see me often in the city. I like to play to him. That Victor! hanging would be too good for him. It's a wonder Robert hasn't beaten him to death long ago."
"I thought he had great patience with his brother," offered Edna, glad to be
oil painting for sale
oil painting for sale
"It's very dull without him," she admitted. Mr. Pontellier had seen Robert in the city, and Edna asked him a dozen questions or more. Where had they met? On Carondelet Street, in the morning. They had gone "in" and had a drink and a cigar together. What had they talked about? Chiefly about his prospects in Mexico, which Mr. Pontellier thought were promising. How did he look? How did he seem -- grave, or gay, or how? Quite cheerful, and wholly taken up with the idea of his trip, which Mr. Pontellier found alto
-121-gether natural in a young fellow about to seek fortune and adventure in a strange, queer country.
Edna tapped her foot impatiently, and wondered why the children persisted in playing in the sun when they might be under the trees. She went down and led them out of the sun, scolding the quadroon for not being more attentive.
It did not strike her as in the least grotesque that she should be making of Robert the object of conversation and leading her husband to speak of him. The sentiment which she
"It's very dull without him," she admitted. Mr. Pontellier had seen Robert in the city, and Edna asked him a dozen questions or more. Where had they met? On Carondelet Street, in the morning. They had gone "in" and had a drink and a cigar together. What had they talked about? Chiefly about his prospects in Mexico, which Mr. Pontellier thought were promising. How did he look? How did he seem -- grave, or gay, or how? Quite cheerful, and wholly taken up with the idea of his trip, which Mr. Pontellier found alto
-121-gether natural in a young fellow about to seek fortune and adventure in a strange, queer country.
Edna tapped her foot impatiently, and wondered why the children persisted in playing in the sun when they might be under the trees. She went down and led them out of the sun, scolding the quadroon for not being more attentive.
It did not strike her as in the least grotesque that she should be making of Robert the object of conversation and leading her husband to speak of him. The sentiment which she
canvas painting
canvas painting
"Do you miss your friend greatly?" asked Mademoiselle Reisz one morning as she came creeping up behind Edna, who had just left her cottage on her way to the beach. She spent much of her time in the water since she had acquired finally the art of swimming. As their stay at Grand Isle drew near its close, she felt that she could not give too much time to a diversion which afforded her the only real pleasurable moments that she knew. When Mademoiselle Reisz came and touched her upon the shoulder and spoke to her, the woman seemed to echo the thought which was ever in Edna's mind; or, better, the feeling which constantly possessed her.
Robert's going had some way taken the brightness, the color, the meaning out of everything. The conditions of her life were in no way changed, but her whole existence was dulled, like a faded garment
-118-which seems to be no longer worth wearing. She sought him everywhere -- in others whom she induced to talk about him. She went up in the mornings to Madame Lebrun's room, braving the clatter of the old sewing-machine. She sat there and chatted at intervals as Robert had done. She gazed around the room at the pictures and photographs hanging upon the
"Do you miss your friend greatly?" asked Mademoiselle Reisz one morning as she came creeping up behind Edna, who had just left her cottage on her way to the beach. She spent much of her time in the water since she had acquired finally the art of swimming. As their stay at Grand Isle drew near its close, she felt that she could not give too much time to a diversion which afforded her the only real pleasurable moments that she knew. When Mademoiselle Reisz came and touched her upon the shoulder and spoke to her, the woman seemed to echo the thought which was ever in Edna's mind; or, better, the feeling which constantly possessed her.
Robert's going had some way taken the brightness, the color, the meaning out of everything. The conditions of her life were in no way changed, but her whole existence was dulled, like a faded garment
-118-which seems to be no longer worth wearing. She sought him everywhere -- in others whom she induced to talk about him. She went up in the mornings to Madame Lebrun's room, braving the clatter of the old sewing-machine. She sat there and chatted at intervals as Robert had done. She gazed around the room at the pictures and photographs hanging upon the
oil painting from picture
oil painting from picture
He had evidently already taken leave of the people over at the house, for he descended the steps and went to join Beaudelet, who was out there with an oar across his shoulder waiting for Robert. They walked away in the darkness. She could only hear Beaudelet's voice; Robert had apparently not even spoken a word of greeting to his companion.
Edna bit her handkerchief convulsively, striving to hold back and to hide, even from herself as she would have hidden from an
-116-other, the emotion which was troubling-tearing -- her. Her eyes were brimming with tears.
For the first time she recognized the symptoms of infatuation which she had felt incipiently as a child, as a girl in her earliest teens, and later as a young woman. The recognition did not lessen the reality, the poignancy of the revelation by any suggestion or promise of instability. The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant; was hers, to torture her as it was doing then with the biting conviction that she had lost that which she had held, that she had been denied that which her impassioned, newly awakened being demanded.
He had evidently already taken leave of the people over at the house, for he descended the steps and went to join Beaudelet, who was out there with an oar across his shoulder waiting for Robert. They walked away in the darkness. She could only hear Beaudelet's voice; Robert had apparently not even spoken a word of greeting to his companion.
Edna bit her handkerchief convulsively, striving to hold back and to hide, even from herself as she would have hidden from an
-116-other, the emotion which was troubling-tearing -- her. Her eyes were brimming with tears.
For the first time she recognized the symptoms of infatuation which she had felt incipiently as a child, as a girl in her earliest teens, and later as a young woman. The recognition did not lessen the reality, the poignancy of the revelation by any suggestion or promise of instability. The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant; was hers, to torture her as it was doing then with the biting conviction that she had lost that which she had held, that she had been denied that which her impassioned, newly awakened being demanded.
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