Thursday, June 19, 2008

gustav klimt paintings

gustav klimt paintings
oil painting reproduction
He shall sit with thee, Wamba,” said Cedric; “the fool and the knave will be well met.”
“The fool,” answered Wamba, raising the relics of a gammon of bacon, “will take care to erect a bulwark against the knave.”
“Hush,” said Cedric, “for here he comes.”
Introduced with little ceremony, and advancing with fear and hesitation, and many a bow of deep humility, a tall, thin old man, who, however, had lost by the habit of stooping much of his actual height, approached the lower end of the board. His features, clean and regular, with an aquiline nose, and piercing black eyes; his high and wrinkled forehead, and long gray hair and beard, would have been considered as handsome, had they not been the marks of a physiognomy peculiar to a race which, during those dark ages, was alike detested by the credulous and prejudiced vulgar, and persecuted by the greedy and rapacious nobility, and who, perhaps, owing to that very hatred and persecution, had adopted a national character, in which there was much, to say the least, mean and unamiable.

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