Alphonse Maria Mucha La Dame aux Camelias painting

Alphonse Maria Mucha La Dame aux Camelias paintingAlphonse Maria Mucha JOB paintingAlphonse Maria Mucha Gismonda painting
Rest assured that no woman who has known Karezza in its ideal, its "Heaven" and "Peace" form, remains dry, nor is she left with any trace of congestion, or restlessness. On the contrary, she often sinks into a blissful slumber in the very midst of the embrace, just after its sweetest delights.
In truth I have often thought that a very plausible arg sex, which is far from what my critic desires.
In Dr. Max Huner's Disorders of the Sexual System, a work in which the woman's need of the orgasm is strongly insisted on, I find these significant words: "'Whenever a woman states that she remains dry after coitus it generally means a lack of orgasm." In other words, it is very common in the ordinary orgasmal embrace, for the man ument might be advanced for the claim that in Karezza the woman really did have an orgasm, only in such a very gradual form, spread over so long a time, and so sweetly sublimated and exalted in love, that the usual symptoms did not appear or were unrecognized as such.