Francois Boucher The Rape of Europa painting

Francois Boucher The Rape of Europa paintingMichelangelo Buonarroti The Creation of Adam paintingMichelangelo Buonarroti Creation of Adam painting
and no one was nearer than the second floor down in the middle of the mansion.He might have sought a window and risked a ledge or a three-story drop. The attic had no windows.A fake stone sarcophagus stood on end, decorated with carved hieroglyphics and the image of a dead pharaoh, no longer inhabited by the evil mummy that had once done help could be found.Suddenly he realized that he could no longer hear the footsteps of his pursuer.No cardboard Ghost Dad stood more still, no mummy under Egyptian sands rested any more breathless with its shriveled lungs, than Fric as he began to suspect that this new silence was a bad development.battle with the biggest movie star in the world.A steamer trunk, in which a ruthless and clever murderer (played by Richard Gere) had once crammed the corpse of a gorgeous blonde (actually the live body of the aforementioned Cassandra Limone), now stood empty.Fric wasn’t tempted to hide in those containers, nor in the black-lacquered coffin, nor in the trick box in which a magician’s assistant could be made to disappear with the help of angled mirrors. Even the [268] ones that weren’t coffins seemed like coffins, and he was sure that crawling into any of them would mean certain death.The wise thing to do would be to keep moving, mouse-quick and mouse-quiet, staying low, staying loose, always several twists and turns ahead of the mirror man. Eventually he could circle back to the spiral staircase, descend from the attic, and flee to lower floors where